Beware, Poetry.

It’s Sunday afternoon. I have appraisals to finish, still haven’t started the Chesil Theatre 10X10 entry, we’re in the middle of cooking, and there’s lots to be sorted before the return of the work week tomorrow. So, naturally, I’ve written a poem. It’s a bad one, because it’s in blank verse. Blank verse, without a recogniseable meter. Sorry.

“Blank verse is the poetical equivalent of Abstract Art. By which I mean, it’s rubbish.”

Henri de Starqueville, 1972*

Anything helps


I saw a woman.

She was holding a sign that said

“Anything helps”

And I thought “No.”


“Apathy doesn’t help.

The sideways slide of the eyes

Erasing the woman from the mind

Easing the passage of the pedestrian

Whose pockets jingle as they stride by her.


Prejudice doesn’t help.

Assuming that the cigarette

You’re smoking is proof that you

Will waste any gift on the wrong appetites

As if I have the right to decide that.


Faith doesn’t help.

At least, I don’t think

That my views on god, or

The righteousness of my beliefs

Will be welcome or useful, or

Even be tolerated unless they accompany

A more concrete demonstration of charity.”


These thoughts occupied me.

It was only today, looking back

That I realised, despite these thoughts,

Despite her sign saying “anything helps”

I had not

Given her




*No, there’s no such person. This is my view. Blank verse is a terrible, terrible cheat, but this is how the poem turned up. Once again, I’m very sorry.


New Releases from lazy Bee Scripts Jan 2018

As I often do, I’ve clipped the “New Releases” section of the Lazy bee Scripts newsletter and re-posted it here so you can see the new plays on offer from my publisher. Since these days I run my social media from my lunchbreak, I haven’t got time to add links to all the plays (though I have taken a moment to link to mine : Sorry everyone else!) And here’s a little reminder that you can visit anytime and check out their “What’s New?” page.

One-Act Plays

As I’ve said before (following George Douglas Lee), all plays are in three acts, even one-act plays.  This category is based on length (something from 20 to 75 minutes), but the structures are three acts (situation, development, resolution).  In some cases, the author has made that structure more obvious, so Ryan Bultrowicz’s play is formally a one-act play in three acts.

  • Ryan Bultrowicz’s The Drowning Star (1M, 4F) is a poignant character study of a former child star who, after the death of her father, determines to make amends to the long list of people she has hurt.
  • Not enough robotics on this list for your liking?  Cyborg With Rosie (2M, 4F) by Troy Banyan will address that.  It features a reclusive cybernetics genius and her dog-man hybrid, as a visit from a journalist exposes many secrets.
  • Young runaway Poppy takes shelter in a student’s flat, only to encounter the ghostly presence of a former tenant, in Towards the Light (1M, 3F), a spooky supernatural drama by Judith Ezekiel.
  • From robots to ghosts to… Leeds Airport.  But as Richard Curtis fans know, airports are in fact the perfect place for love.  Actually, there’s also friendship, grief, disappointment, comedy and deceit to be found, in Liz Dobson’s Arrivals (1M, 5F).
  • If you’re short on actors, Beyond the White Noise (1M, 1F) by Steven A Shapiro is the play for you, focusing on two souls working out their issues as they sit in a therapist’s waiting room.
  • Paul Kalburgi took inspiration from Pinter when writing Almost the Birthday Party (2M), in which an eccentric couple are asked to recall details of an absurd first rehearsal – complete with cheesecake, vicar and taxidermied cat!
  • Pat Edwards’ Asking For Trouble (5M, 3F, 2 Either) explores some topical issues, as two girls narrowly escape serious assault.  As they recount this incident, the play questions whether it’s right to apportion blame to they were dressed.
  • Damian Woods’ Deadline (3M, 1F) features a playwright with a serious grudge to bear against a scathing reviewer.  Luckily, it’s good, so we’ll never have to find out if Damian would react in the same way.
  • Three suspects, all being questioned because of their political beliefs.  Three interrogation rooms.  Three points in time.  Those are just three of the triplets at play in Louise Wade’s Interrogation (here are some more – 3M, 3F).
  • If ‘convoluted black comedy inspired by Edward Albee’ sounds like your idea of a nice way to spend half an hour, you’ll want What’s The Time, Virginia Woolf? (2M, 2F) by Doc Watson.
  • Special Occasions (3M, 5F) by Roger Hodge, adapted from the middle act of his full-length Eating Out, peers into the lives of three very different couples eating at the same restaurant.
  • The revised edition of Paul Bovino’s Elephants (2M, 2F) was published in November.  In an oddly decorated (see title) New York apartment, a strange birthday party reveals hidden love…


Full-Length Plays

Again, we are confronted by the question of what is a full-length play.  We take the view that anything with a duration of over an hour could legitimately be staged as an evening’s entertainment.  On the other hand, something with a duration of less than an hour and fifteen minutes might easily be paired with a shorter piece.  Thus Damian Trasler’s 65-minute “Under the Hood” is presented here, but might just as easily fit into the One-act Play category.

  • Aliens in the Park (2M, 3F, 1 Either) by Louise Bramley is a sci-fi comedy in which aliens visit Earth to abduct a male human, in order to improve the gender ratio back home.  There are suggested video effects as backgrounds, if you’re feeling really ambitious.
  • Another comedy from Louise Bramley, Cardigan Coast (2M, 4F) follows the pilot of a reality TV show in which six elderly contestants share a house – and are determined to show the camera they’re up for anything.
  • The title character of Ragnhild (6M, 4F, 1 Either) was the daughter of a usurped Viking king who, despite her exile, schemed her way back into power.  It’s a fascinating historical tale, and Charles Eades tells it with a slice of brutality appropriate to the period.
  • Under the Hood (3M, 1F) by Damian Trasler sees actor Rose rehearsing the title role in a new psychological interpretation of Red Riding Hood, while her husband is torn between his dead-end job and his dreams.


Sketches, Skits and Short Plays

Drama, comedy and satire.  In short, all life is here.

  • Gerald Murphy has adapted the O Henry short story After Twenty Years (3M, 0F), in which a wanted criminal meets up with an old friend… not knowing that he’s become a cop.
  • Live (3M, 1F) by Robin Fusco is a post-apocalyptic short play – but don’t worry if that sounds ambitious, as it’s all set in an underground bunker.
  • Olivia Arieti has Tramp Business (3M, 1F) for you to attend to… It’s a heartfelt and lightly comic sketch about the homeless inhabitants of an arrangement of park benches.
  • In The Little Cottage (5M, 4F), Gerald Murphy turns his attentions to Irish folklore.  The Doyle family have a perfect life, until Margaret’s parents move into their cottage.  Father Kelly’s advice only makes things worse.
  • Helen Bradley’s A Day at the Vets (3M, 2F) is exactly what it says in the title… well, a pretty bad day, truthfully, as the vet’s three least favourite customers – and their imaginary pets – all show up.
  • Love Is Blind by Andrew Bawn sees Gary and April meet on a blind date in a restaurant.  There is an age gap between them, and… well, you don’t expect it to go smoothly, do you?
  • Three middle-aged friends meet up for a coffee and a natter in Something To Talk About (3F) by Bob Hammond, but it turns out that they all have more exciting lives than each other thought.
  • The Vikings meet reality TV – and why not?  – in David Dean’s The Alf Factor.  They’re as vicious and bloodthirsty as ever – and that’s just the ones judging the cakes!
  • Who ever said fairy tales are old hat?  Three Billy Goats Cyber by Richard L Sanders is a politically satirical mix of the classic tale with today’s cyber technologies.
  • World War II-era Vienna is the setting for The Attic Room (3M, 3F) by Elizabeth Anne Wells, as a young Jewish girl hides from Nazi soldiers in the house of an Austrian family.



At the time of writing, we have 359 pantomimes on our books.  (By the time of reading, this may well have changed).  We’re always looking for material to diversify the range.  This time Sherlock Holmes is given the panto treatment, not for the first time, whereas The Scarlet Pimpernel is given a first panto outing.  There’s a novel approach to the genre from Helen Spencer and Puss-in-Boots is rendered in rhyme.

  • The game is afoot in Sherlock Holmes and the Mystery of the Pantomime (minimum of 5M, 2F, 11 Either) by Giles Black, which pits Conan Doyle’s great detective against Professor Moriarty in his most, well, goofy case yet.
  • The copyright on Baroness Orczy’s works expired in November, and we jumped straight onto that opportunity with Steven J Yeo’s take on The Scarlet Pimpernel (minimum of 3M, 3F, 4 Either).  Who knew France’s Reign of Terror had such potential for slapstick?
  • Another Cat, Another Hat (minimum of 3M, 3F, 4 Either) by Stuart Ardern is a one-act rhyming take on Puss-in-Boots, purrfect for a one-act production using minimal sets.
  • Panto goes meta in Helen Spencer’s Pantomime Academy (minimum of 9M, 16F, 10 Either), which follows poor Maurice, a regular panto actor doomed to always play the back end of the cow.


Plays for Schools and Youth Theatre

This category covers scripts written specifically for schools or youth groups.  On this occasion, we’ve made relatively few additions (despite our current catalogue of over 770 pieces for schools and youth productions), although there are probably pieces suitable in some of the other categories…

  • February 14th is fast approaching, and Olivia Arieti’s V For Valentine is perfect for teaching children about Valentine’s Day traditions.  Alternatively, reading it might keep you occupied if you don’t have a date.
  • Howard Does His Best (3M, 10 Either) by Geoff Parker is an offbeat comedy for high school ages.  As Howard tries to ask the most beautiful girl in the school for a dance, various parts of his body argue about how to co-ordinate themselves.
  • Dip into Pond Life, a one-act play (with a couple of optional songs) by Nettie Baskcomb Brown, populated with (a minimum of 9) ungendered roles of plants and pond creatures.


Murder Mysteries

The structure of whodunnits varies enormously.  Angela Lanyon’s approach is definitely along the lines of a play: it’s fully-scripted, with no interaction with the audience.  There is, however, the opportunity to put forward suspicions and accusations before the mystery is resolved by the performance of the second act.  (Unusually, as well as deciding who did the deed, this mystery requires the audience to work out who was murdered, although I suspect that this becomes obvious when the remainder of the cast assembles for act two.)

  • A group of friends make a cup of tea and settle in for a nice peaceful séance in Angela Lanyon’s Séance for Murder (3M, 4F).  And then there’s the murder, of course.

Goals for 2018, or listing future failures.

Happy New Year! Assuming you’re working from the same calendar as me… Anyway, I sat in bed this morning and contemplated my view of the future.


Looks like the future is dogs.

As is traditional at this time of year, I have decided to lie outrageously about the things I absolutely intend to do this coming year, even though they’re things I have completely failed to do in the previous 365 days and no circumstances have changed at all. Well, other than my “Rogue One” Calendar being switched for a “Last Jedi” calendar. Cool.

1. Get fit. I mean, fitter. Well, less fat. Maybe lose weight. Get my blood sugars down. Eat more vegeta…wait, no one will believe that one.

2. Write that novella. No, not that one, the other one. Write it, make a really good cover, and then not sell any, just like the other ten e-books. Yes, ten. As has been previously noted, I spend more on toothpaste in three months than I make from e-books in a year. But this is a really GOOD idea, and I’m going to write it. Sometime.

Screenshot (47)

3. Write more plays. My plays have continued to sell well, with the last three months of 2017 being the best for TLC creative in several years. I’m chalking that up to my continued advertising efforts on Twitter, where I have over 600 followers. Although I’m not comfortable with the term “followers”. It’s not like I’m leading them anywhere. We’re all just sort of sauntering along in the same direction. So, yeah, write more plays. Format them properly. Get photos of people performing them*.

4. Finish some helmets. Not because I’m short of helmets, but because I’ve had the TIE Pilot helmet project under way for half a year, and I want it done so I can start the next one. These projects earn no money and have no practical use, so I call it a hobby, but it feels like more than that. A calling. An obsession. Or, as Mrs Dim puts it, “A complete waste of time”.


5. Do things less crap. As part of our family engagement protocol, we’ve all adopted House Names and Words, Game of Thrones Style, to inspire us in the new year. I am now of House Bodger, whose proud words are “Doing things less crap” with our sigil of crossed saw and hammer over bandaged thumb. 1st attempt at producing a plaque for my new house has already gone awry:

WP_20170708_001 (2)

6. Encouraging the Weasels in their education. I think it’s ironic that I need to resolve to drive the Weasels to school after spending a year driving them to school. Apparently I should have been driving them to bike to school, then driving them to school themselves while at home. Parenting is all about learning. We also need to have the courage to let them fail, a courage they already seem to have in bucketloads, because failure is a great teacher, something I have failed to learn so far.

7. Social media wizardry. I’m going to try and blog more often. Or at least, more often than I have been doing, which shouldn’t be hard. For a while I was trying to project an adult, socially responsible Author persona through my social media platforms, in order to encourage readership. However, that meant that people would arrive at my books or plays expecting a socially responsible adult to have written them, and boy were they disappointed. So instead I’m going to blog about the things I want to blog about, I’m going to say them the way it occurs to me to say them, and if you don’t like it, you’re in the majority.

So, having wasted a large portion of the first day of the new year setting down how I’m  not going to be wasting time in the New Year, it’s time for me to have lunch. I hope 2018 is kind to you and your endeavours, and if not, I hope it gallops past on feathered feet and delivers you safely into the loving arms of 2019, when I intend to go to Disneyland.


*To put on my website. Not for any sinister, secret police-type purpose.

Under The Hood


Finding a way through the woods..

This week has been a little busier than most, since Mrs Dim launched off to the UK with Tiny Weasel for a whistle-stop pre-Christmas visit. There was a lot to organise before they left, and, strangely, even more to organise once they’d gone. But despite the pressures of laundry, cooking, shopping and work (all of which, now I come to think of it, I was doing anyway) my latest play* “Under the Hood” was published by Lazy Bee Scripts.

The play is about Rose and her husband Mark. Mark works at a job he hates, because he has a heavy workload that his boss doesn’t understand. Rose is an aspiring actress, and she’s just secured a role in a small production that has a lot of prestige attached – it’s directed by theatre legend Cain, a man so awe-inspiring that he’s known by just the one name. This could be the start of big things, even though the production is a new interpretation of “Little Red Riding Hood”.

As Rose learns more about the part, Mark is finding his limits with his work situation, but the mortgage rides on his salary. Tempting him all the while is the chance to risk it all on a startup with his friend Mike. The payoff could be huge, or it could be disaster, and his company have a yellow dog policy that would prevent him profiting from any idea he had on company time, so he’d have to be underhand…

Things come to a head on Rose’s final night in the play, as the couple finally find their way through the woods and come out on the other side to face the future.

You can read the complete script here.

*It’s not the latest I wrote, just the latest published. I wrote it, but it had some issues, and in between writing it and rewriting it, I wrote another play and it got published first. THAT’s my latest play, chronologically speaking. Maybe I shouldn’t have tried to explain.

Still Boldly Going On….


A long, long time ago* I wrote a short play that was a spoof on the old Star Trek trope of the guys in the Red Shirts getting killed. It’s not an original idea, but I like to think that my take was fairly fresh at the time. Best of all, it’s a three hander for two males and one female, with minimal set and no expensive special effects…much like the original Star Trek series.


Like many of my early short plays, the performances have been scattered, and I haven’t managed to see one. But this week (in November of 2017) I got in touch with Send Amateur Dramatic Society (See their website here) and Karen there was kind enough to send through some pictures, which I have placed in the Gallery here on the blog. From the pictures, it looks like the people in Send put more effort into the production than I did into writing the script – I hope their audiences were appreciative of the excellent job they did!

You can read the full text of ‘Strange New Worlds” here, and if you want to see that trope taken a giant step forward, read “Redshirts” by John Scalzi.



*Yes, I could look it up, but I’m not going to. Sorry. I’m on lunch and time is precious. PRECIOUSSSSSSS!

FanExpo Vancouver 2017

It’s that time of year again, when fans of tv, film and comics come together in Vancouver to celebrate the things they love. We’d booked tickets for the Sunday of the three day event, which turned out to be a good thing because Middle Weasel’s film group were shooting a short film in our house and it turned out to be a longer and more…crowded… process than we expected.

I left Mrs Dim wrangling the dogs, and Middle Weasel wrangling the crew, and I took Tiny Weasel, Eldest Weasel and three others to Fan Expo.


One of my charges wasn’t in costume, so our team for the day was a Dalek Interp, Paddington, and Ruby and Yang. I was dressed as Clark Kent, but seriously, that did not warrant a photograph.

Walking the floor when I wasn’t in costume was one thing. Wearing the Shakespearean Vader costume last years was a very different experience. What was really funny was walking the hall behind Ruby and Yang because EVERYONE loved them.*


This was my view for most of the day: Grinning as other people went nuts over the props and costumes and asked for pictures.

But I didn’t spend the whole time photographing photography. There were so many cosplayers to photograph instead…

The range of costumes is always impressive, but it’s funny how certain looks come and go. A couple of years ago you couldn’t move for Sailor Moons and Deadpools. Elsa and Ana were big hits too. This year I only saw a couple of Elsas and Anas, and only the one Deadpool:


Maybe he only came because Elmo wanted him to?

And I can tell I am getting old, because the number of truly excellent costumes of people I cannot recognise is only increasing. Tiny Weasel showed me over twenty photographs she had taken and excitedly identified them. I was none the wiser. These following pictures are mostly people I DID recognise. Mostly.

As always, I admired the immaculate uniforms and gear of the 501st troops. They walked the floors, posing for photos and being friendly and accessible – have you any idea how weird it is hearing a stormtrooper wishing someone a good day?

It was a great day, not least because it was Ruby’s first experience of a Con and she was a hit. It was great to see how well she handled the requests for photos and the compliments on her costume and the scythe she carried without complaint throughout.

Already looking forward to next year.



*I had not heard of RWBY before today. I still have no plans to watch it, but it’s clear lots of other people do.

The Buzz from Lazy Bee Scripts October 2017

Here’s the latest newsletter from my publisher, Lazy Bee Scripts. You may notice a few live links in it because TLC Creative have finally published our version of Sleeping Beauty! Our first pantomime in years.

Halloween is out of the way, time for the next dramatic challenge.  If you haven’t yet sorted out a festive play for December, then there’s still time.
Many Christmas shows involve large casts of children.  This often involves the need to keep them quiet and entertained backstage.  That was part of the thinking behind the card game ‘Dame of Thrones’ from TLC Creative (put together with pantomime in mind).
We have plenty of festive plays, both religious and secular (mainly focused on Christmas, but other festivals do get a look-in.)  By the way, you can separate out the religious from the secular (if you are looking specifically for one or the other) using the “Religious and Moral Plays” filter in our search engine.
Amongst our new scripts, the contribution to the season comes in the form of a new adaptation of Dickens’ A Christmas Carol (and also a revision of a previously-published version).  As usual, you can find all the new scripts via the “what’s new” link from the Lazy Bee Scripts home page.  Talking of which…
Sketches, Skits and Short Plays

‘Sketch’ tends to be used in British English for a short comedy piece, whereas US English tends towards ‘skit’.  I take a slightly different view.  I think that a skit treats a known theme with an element of parody.  By my definition, here we have two short plays, a sketch and a skit.  (You can make up your own mind.)

  • In Oh Frabjous Day (1M, 1F) from Maeve Edwards, Mark finds out he has a daughter he never knew about, and who could be the bone marrow donor he needs.  It’s a bit of a weepie.
  • For ancient tales of a Biblical bent, check out Ian Sharrock’s David and Goliath (2M, 1F), in which a Philistine soldier and serving girl witness the famous showdown.
  • Robert Scott’s Just Good Friends (2M, 1F) is an easy to stage relationship comedy.  After Jane’s latest break-up, Tim is waiting to console her.  But is this his chance to step out of the friendzone?
  • The Colonel’s Wife (2M) by Bob Hammond features an army officer who’s been caught with, well, the colonel’s wife.  His confession gets a very different reaction from what he expects.

Plays for Schools and Youth Theatre

In the September edition of The Buzz, I mentioned that we had published several new plays with Greek themes.  That trend seems to be continuing slightly…

  • If you want to know all about Greek tragedy but never managed to finish the Iliad (it is a big book, and the text is really small), you need Nicholas Richards’ A Brief Guide To Greek Tragedy (6 Either).
  • Adventures in Wonderland (35 roles, a minimum of 20 actors with doubling, of whom at least Alice is female) is a faithful Lewis Carroll adaptation from Bob Yelland, and an ideal choice for large youth theatre productions.

Musicals and Musical Plays

We had previously published Nicholas Richards’ piece as a play (and it could still be performed as such), but, in our view, it works better as a musical piece.  (Generally aimed at secondary school ages.)

  • Nicholas Richards’ Hunting Death (5M, 3 Either) is a short musical retelling of the Pardoner’s Tale from the Canterbury Tales, and can also be performed as a verse play without the music.

One-Act Plays

Previous winners include Damian Trasler, Richard James, Geoff Bamber and Cheryl Barrett.  This time, Robert Scott seems out to get the largest number of mentions in this newsletter.  But never mind the quantity, we are very enthusiastic about the quality of his writing, as are audiences around the world.

  • Robert Scott wins our award for most prolific author of the month (and his plays are good as well as numerous!), bringing us The Babbling Brookes, a trilogy following one family:
    Rags to Richie (3M, 3F, 2 Either) introduces us to Richie Brookes, who’s so much of a liability that his wife won’t leave him alone without a responsible adult.
    Next up is Ed and Breakfast (3M, 2F, 2 Either), in which belligerent son Ed is at loggerheads with mum Lynda.
    And in Keep Calm and Kerry-Ann (3M, 3F), Grandad Joseph shows up, sending the family into more of a spin than usual.
    The three plays work as stand-alone pieces, but they could also be played in one evening as a trilogy.
  • Serious stuff in Warm Crayons (2M, 3F) by Ashley Harris, in which a schoolteacher is accused of a vile abusive act.  Is he innocent, or has he been hiding his deeds all along?
  • For something lighter, try Richard Charles’s Dead Loss (4M, 2F).  Aging rock star Trevor Loss has debts to pay off and the police after him; the drastic measures he resorts to make this a thrilling comedy.
  • Nickers (1M, 4 Either) by Robert Scott – yes, him again – is not about smalls, but a gang of thieves who all have their sights set on a priceless diamond…
  • Another classic is adapted – and abridged – in Martin Prest’s A Christmas Carol In 60 Minutes Or Less! (1M, and up to 28 others).  We should probably also credit Dickens for this one.  It’s an unusual treatment in that Martin wrote it as a one-man show, but with 29 roles it could also be played by a larger cast.  We published it some time ago, but Martin has tweaked it based on experience of a recent production.
  • Welcome Home (2M, 1F) is an original drama from Roger Lee.  Jimmy is finally out of prison after twenty years and returns to a hostile reception from his son.
  • How else would we end this section but with another Robert Scott play?  Jim Jam (2M, 1F) is about the familiar situation of being stuck in a traffic jam… and your kid needing the loo.


There are four broad flavours of pantomime: the core folk tales (Cinderella, Aladdin, etc.), adaptations of other stories, amalgams of multiple stories and completely original stories. (Richard Coleman thinks we should have a section of the Lazy Bee Scripts web site just for the third type, although I suspect that is mainly because he has written several in that vein.) We have so many versions of the core stories that we are cutting down on new publications – picking out just the truly exceptional.  Hence on this occasion that category is represented just by TLC Creative’s adaptation of Sleeping Beauty, whereas Sharon Hulm raises her flag in the original stories category.

  • Double Trouble (4M, 5F, 8 Either), an original panto by Sharon Hulm, follows a pair of twin Princes.  A true love’s kiss will release them from a curse, but can those true loves recognise which prince is which?
  • And then we have TLC Creative’s take on Sleeping Beauty (4M, 7F, 8 Either).  It’s a classic tale, here littered with extra doses of malicious fairies and outright silliness.

Full-Length Plays

Another very varied selection of full-length plays, with a couple of adaptations and three original pieces together touching on comedy, drama, history and thriller.

  • Another take on A Christmas Carol – well, the festive season is fast approaching – comes courtesy of Michael Morton, whose full-length version (37 roles, with a minimum of 3M, 3F, and eight of Either with a lot of doubling) is a faithful adaptation of the Dickens classic.
  • End of the Ban (6M, 3F) by Anne Graham is a comedy set in 1980s Nottinghamshire.  Miner Les is already drifting apart from his family – and then he gets trapped down the mine shaft.
  • Richard Hills has adapted Louisa May Alcott’s classic novel Little Women (4M, 7F).  With their father away in the American Civil War, four sisters must support the household as they grow up.
  • In Death’s Desire (3M, 4F) by Robert Scott, therapist Lawrence has a worrying new patient who confesses to murder… and who knows a surprising amount about Lawrence’s fiancée.
  • Two families are brought together by the engagement of their children in David Allan’s Happy Families.  They immediately warm to each other, never get into any conflicts, and none of them hold any secrets.  Just kidding.  (4M, 5F)

Murder Mysteries

There is a variety of ways of executing dinner theatre murder mysteries.  Different options will suit different theatre companies. Our latest two both have scripted dialogue, but Geoff Fulford’s piece requires the cast (working from character briefs) to be interrogated by the audience, whereas Eileen Clark wants the audience to decide whodunnit purely on the basis of what they have seen on the stage.

  • Just as a country hotel is about to close for refurbishment, one of the last guests to leave is found dead.  The audience must figure out whodunnit in Eileen Clark’s Murder at Morpeth Manor (3M, 4F, 1 Either).
  • In Some Anniversary! (3M, 5F, 1 Either) by Geoff Fulford, Clark and Barbara Seville are celebrating thirty years of marriage – but several guests hold grudges against Clark, who won’t make it to thirty-one.

Theatrical Paraphernalia

When we publish musical pieces, we try to offer recordings (at least backing tracks) as an optional extra.  Sometimes we add things at a later date…

  • For the new version of Sleeping Beauty by TLC Creative, there are high-quality backing tracks (familiar music, new lyrics) created by
  • The CD for Nicholas Richards’ musical version of Hunting Death has a complete (25 minute) backing track/underscore and also a vocal demo of the whole piece.
  • At a customer request, we’ve made available MP3 downloads for the backing tracks and vocal demos for Greece – The Musical by Sue Gordon as an alternative to the CDs.

If you want more frequent updates, then follow us on Facebook or Twitter (where we announce every new publication); more details on the contact page of the web site.

Stuart Ardern
Lazy Bee Scripts