Tag Archives: e-book

I really wanted to wait until I’d heard something from someone about employment, because I always think a blog without something positive is a whinge. But, there’s also the feeling I’ve  mentioned before, about an idea not being properly developed until it’s been expressed. Makes me wonder about “Think before you speak”.

So here I am, at Friday, a whole week into February and still with only the usual suspects of work. I spent yesterday in a fever of creativity, reviewing a play and writing two and half sketches. TLC have been asked to write a sketch evening on a specific theme and I decided it was time I tackled the sketches I’d volunteered for. If you asked me, I’d have said I don’t like working that way, that I prefer to wait until I get a great idea and then work that one out. I would have said I can’t write to order, or if I do it comes out as merely workmanlike. Modesty prevents me saying the two sketches I completed yesterday were good, but the better of the two made me laugh while I was writing it, and the second one made me laugh when David re-wrote the ending to make it funny. The third will have to wait to be written up, since I wrote it longhand while watching Eldest and Middle Weasel doing their Ice Skating lesson.

I don’t know what people think it’s like, writing for a living. I can tell you what it’s like for me.

I have the computer I work at set up in the Living Room. It’s not the ideal place during the evening, but with the Weasels out getting educated it makes as much sense as anywhere else. I have a coffee-making machine ten steps away, so I have to get up at least every five minutes. I have nowhere near enough food, which is a good thing. I don’t have reference books to hand, or manuals on writing. I read those at night (seriously – at the moment it’s  “How to Build a Great Screenplay”). There is clutter on the computer desk – story cds, game boxes (The kids leave them out and I never bother to put them away unless it’s time for the big clearout.) There’s a Dictaphone there today too, thanks to a rummage in the deep storage the other day. I found it and thought I might need it for something. I didn’t, but I’ve been using it as I walked the dog the last couple of days. I keep thinking it’ll be brilliant for capturing the bright thoughts I have when I’m out and about, but it’s rubbish. I should have remembered, because I once spent several months dictating a novel into that same machine, then typing up the copy. On a tiny machine like that, my voice is whiny and nasal, plus I huff and puff like an old man riding a Space Hopper down a cobble street. I finished the novel, a children’s book, and it was rubbish. (I liked some of it – the page numbers mostly. I may use them later in another book.) There’s usually a pad or blank paper for scribbling things on, but they tend to be lists of stuff I should be doing, or things that people have phoned up to tell me. I also have a hard copy of the e-book so far, because I was doing revisions on it the other day. I’m still clinging to the idea it’ll be finished by the middle of this month, but that may be just the copy written. I suspect the actual production ( there are diagrams to include, which I haven’t drawn, and the cover needs to be re-done by David) will take a bit longer. It’s still easier than trying to produce a real-world book, since the typesetting and design are completely under my control (in that I say “David, how do think the design and typesetting should go?” David’s a print and design professional you know. I can trust him on this stuff. Plus he makes my sketches funnier. AND he won the Dame Academy Panto Dame competition in Milton Keynes. Not someone to be messed with.)

I listen to music while I write. I’d rather listen to stories, but the words get in the way. Strange, because the lyrics are my favourite part of most songs, but the singing slides straight past my ears and into my brain, so I don’t have to worry about it turning up on the page. I don’t pick specific music for different types of writing – I have a big file of my favourite tracks – seven hour’s worth, give or take a minute, and they wander out of the speakers on random play. Doesn’t make much difference to me, as I only HEAR it when I stop writing. I hate writing in silence, but I’ll do it if I have to. The best days, the days I dream of, are when whatever I’m writing is so interesting, so much fun that nothing else matters. The coffee goes cold and the music fades away, there’s nothing but the pictures in my head flowing down through the keyboard and onto the screen. When everything is going well, my hands can’t keep up and I can’t stop smiling. I think that’s something else people don’t get: Writing can be miserably hard work, it can make your head ache and slice your confidence to ribbons, but at the best moments it’s like flying. I am at my happiest when I’ve written something I’m pleased with. Doesn’t matter what. If I’ve got the idea down complete, I’m irrepressibly cheerful

So this week I’ve applied for a few more jobs and had some in depth discussions with some potential employers. I swapped quite a few e-mails with a Vancouver blog who wanted freelancers to interview Vancouver-based directors. They were willing to pay, so I volunteered my services. We talked about it, and then all of a sudden they said they were “going with other applicants.” I tried not to feel crushed, and concentrated on the online audio-book company that wanted a story re-written as a script. They also wanted some kind of adaptation done, which sounded like they wanted an additional narrative frame around the story to “put it in context”. I asked a couple of reasonable questions* and then sent them in my idea. Since they were also asking for voice actors, I pointed out that I had a fine English accent and would make a brilliant villain in one of their productions. They seemed to reply to both the e-mails out of sequence, but to be honest, neither reply made a lot of sense. The second e-mail said simply :” I concerned that people would get bored with the sequential nature of it.” I concerned. I concerned? I can forgive a typo (except when I’m proofreading) but the rest of the sentence was just as baffling. He’s worried about people getting bored with the sequential nature of the story, and he’s running a business selling audio books to people CHAPTER BY CHAPTER? Heavens, let’s avoid giving people anything of a sequential nature! We’ll keep ’em interested by starting with chapter five and then skipping ahead to seven, then three…. I may be just a little bitter.

My friend and neighbour across the way, Sue, is waiting for employment news too, but she’s been waiting six months. Actually, that’s not a fair thing to say. She’s been working very, very hard to find work for six months, and has been through more interviews than I’ve had coffees. I really wouldn’t mind if today’s her day instead of mine, because I haven’t tried nearly as hard as she has.

Following up on yesterday’s creative storm, I’ve finished my latest bunch of play reviews and now I’m going to pile into the domestic tasks. If there’s time later, I may go back to some other projects that have been a little neglected, but I also have to do the rounds of the job sites. If you’re curious about the writing process, e-mail me. If you have a script you think needs assessing, you could try the Lazy Bee appraisal service (Lazy Bee are my publishers, and they employ an experienced Script Reader to assess submissions for them. Ok, it’s me, but I’ve been a published playwright for over a decade, reading scripts and reporting for over three years, and I took a course on Script Reading with the Script Factory in London.)

*Including “What the hell are you talking about?”