Tag Archives: Lazy Bee Scripts

Book, book, book…..

It's the book what I wrote...So, only….er….five months after the initial idea, and I now have a published e-book to add to my credits. Actually, that’s not strictly true, as this is a document in pdf format, rather than an actual e-book, but you get the point.

Back in January, as I may have mentioned, I went along to a Writer’s symposium, hosted by the Travel Writer’s Association of Canada (TWAC. I was there as part of PWAC. Acronyms are silly things.) One of the speakers talked about the need to build up your webpresence and your own brand for your writing, which lead me to rediscover this blog, for one thing, and to begin writing the book. She’d said that everyone is an expert in something, expert enough to write a book. And while your book might not be compelling enough to attract a major publisher in the paper and ink industry, the glory of the internet is that you can publish without the stunning overheads and publicise your product yourself.

I realised that for over a decade I have been writing plays for the amateur stage – what the North Americans seem to call “Community Theatre” which sounds less patronising – and therefore I could legitimately say something about doing that. Plus, of course, I’ve spent the last few years as a script reader for Lazy Bee Scripts, reviewing new plays and handing out advice and judgements and assembling my own set of “What everybody gets wrong, or right” rules.

The speaker at the symposium made a lot of sense, saying that the book itself is not the major feature, but you can build on the sale of the book with lectures and classes. I didn’t want to get too overexcited about that, and decided to see if I could write a convincing book first. It’s taken longer than I thought, thanks mainly to the hard work of my friends and co-writers, ensuring I didn’t settle for the first draft, going that extra mile to produce a document that’s not only worth reading but enjoyable to look at. I’m painfully aware of the number of projects that languish at the “half-completed” stage, not because I’ve run out of enthusiasm for them, but because I’m scared I’ll wreck what I’ve got by pushing on. Two plays are stuck in that limbo right now. I was determined that the book would not go the same way, and this week the final draft (number three, I think…certainly the third version to make it to the pdf stage, anyway) has arrived and been hosted, both on the Lazy Bee Website (www.lazybeescripts.co.uk ) and on the TLC website (www.tlc-creative.co.uk) . We’re advertising the book on various websites, pushing out news of it through Facebook, and later this week I’ll be attending another PWAC event where I’ll finally get to tell the other members that I have acheived something they can actually see.

So, what’s the book about? It’s NOT a “How To” guide. I don’t lay out the best way to write your epic play, there aren’t any simple five-step programmes included that take you from your idea through to staging your masterwork. The book talks about the aspects of community theatre that make it ideal for first-time playwrights, the things that you should be aware of before you begin writing. It discusses the limitations of the local stages, and how you can get around them or work with them. It talks about the different types of writing you can do for the stage, it highlights common mistakes and other issues to avoid. Best of all, it has funny pictures with hilarious captions scattered throughout.

I’ve read it about half a dozen times now, and each time I feel it’s necessary to point out that I only supplied some of the words. The organisation, proofreading, graphical work, factchecking (and occasional buttkicking) have been done by my writing partners Steve and David at TLC and by Stuart at Lazy Bee. I hope other writers will find it useful. I really hope some people who might not have considered play writing will give it a go as a result, because I hadn’t thought of plays until I was asked to write one, and they really have changed my life for the better.

And if anyone’s interested, I am available for lecture tours…..

Hello, my name is Dim….

I was trying to remember earlier today if I’ve ever been called for a second interview for anything. I don’t think I have. My first few jobs were pretty much cut and dried in the first interview. One job I got seems a tremendous fluke now – the interviewer asked me where I saw myself in five years time. I said I wanted to be a novelist. Probably not the answer they were hoping for from someone interviewing for a post in their photocopy and archives room. Still, I held the job for nearly two years. The trouble is, you’ll have to take my word for that, since I don’t actually have a very good work record.

My first job was at the TVS (Television South) studios in Southampton. I worked there as Receptionist for the Programmes Department, and also delivered mail to and from the Programmes Dept. and the studios. Just as my year’s contract came to an end (and I was hoping to transfer to become assistant to the Assistant Floor Manager in the Studio) TVS lost their ITV franchise. The company split up and I was looking for work again. I spent time working in an off-licence (liquor store for you North Americans) but that was seasonal work. I found a job in a Solicitor’s office (the above-mentioned photocopy and archive clerk job). I stayed there for two years before going back to college for a year. Sadly, the office went on to electronic staff records in the late ’90s and my record was not one of those transferred. So, no reference from TVS, no reference from the solicitors. I spent a happy year at Portsmouth College of Art and Design, came out with a useless bit of paper and had to get another job. I took a temporary position as bar manager/receptionist at The Bell Hotel in Alresford. It lasted for two more years, during which time I got married. When I found myself a “proper” job with the Civil Service, I resigned from The Bell. I went away for the weekend, with a week’s time still to work, and when I came home I found the place had burned down. No reference from The Bell, then. Working for the Civil Service (joke: How many people work in the Civil Service? About half of them!) was great, since it meant I could be close to Mrs Dim as she guarded the peace-loving nations of the world from aggressive types, but Civil Servants work with the military, who are posted in and out of jobs, and by the time I gave up work to look after Eldest Weasel (then just a tiny weasel herself) I had already lost track of my first couple of bosses. Within a year, there was no hope of a personal reference from the Civil Service.

But please don’t think I stopped working just because I was now a full-time Weasel Wrangler. Oh no, I became a writer, and then an Editor. I edited the magazine of the RAF Families organisation, Airwaves. At first the magazine was called Corridors, but we changed the name when everyone finally agreed it was stupid. We changed it to “Airwaves”. Inspired or what? I took on more on behalf of the organisation, becoming an Airwaves Representative and Regional Manager. I went to meetings and wrote reports. Once I even went to the House of Lords and interviewed a Baroness. Oh yes. Can you guess what happens next? Well, there was a thing. All of a sudden all Airwaves Reps were told to stop doing anything. STOP! Someone hadn’t done something, or had done something they shouldn’t, and now there were legal ramifications of some awful extent, and the upshot was that Airwaves – the whole organisation – ceased to be. Shazam! Just like that. There is now the RAF Families Federation, but it’s run by a whole new group of people, none of whom know me. No reference from Airwaves.

Which pretty much brings me up to date. I joined the marvellous TLC Creative, working with Steve and David to Write the wrongs of society…heh heh heh! And I began doing some work for Lazy Bee Scripts, reading and reporting on script submissions. Both those businesses, I’m happy to say, are still around. Two references for me at least, and they must carry some weight because this Friday I shall be returning to the World’s Largest Home Improvement Retailer for a record THIRD interview, this time (I am assured) merely a formality, meeting the Store Manager. I’m sure you’re agog now. What position have I applied for that needs such a rigorous screening, so many searching interviews? Well, I’m going to be a Greeter. I will be standing by the door as you gracious folks enter the hallowed halls, and I’ll be happy to direct you to the aisle of your choice. Or choose one for you, if you’re up for a magical mystery tour of home hardware.

Hope to see you there.