Tag Archives: Mandalorian

Making the most of my time

It’s my day off again, but with Mrs Dim going back to work, there’s no lazy lie in for me. And that’s a good thing, because FanExpo Vancouver is only two weeks away, and I have a lot to do. Most of Mrs Dim’s costume is done:

This photo is actually a little behind the times, since I have completed and painted the toe caps (the white thing in the front of the picture) and I also managed to produce the apron/skirt thing:

If all this is looking a bit weird, maybe I should post the picture of what we’re aiming at:

I’m left with the belt and boot tops to produce (the gauntlets came in the post the other day, and can be used for gardening after Fan Expo is over, much to Mrs Dim’s delight.)

For Tiny Weasel, I have to produce the character pictured at the top of the post. That’s Hollow Knight. Tricky as it may seem, I already have the helmet, made for a past Fan Expo but never used. I also made the sword. Today’s real task is coming up with the cloak. I had a plan for that, but then I decided to do my research properly and I’m having to rethink things. At rest, the cloak looks like a leaf:

But in motion, as at the top, it’s lots of separate…what? Tentacles? Strips? Anyway, Tiny Weasel has had the material and the sewing machine for a fortnight and hasn’t touched either of them, so I guess it’s down to me. Luckily, Derek the Dalek looks like this:

He has a working voice box, sound-reactive undersill lighting, and a compressed air canister to squirt out of his gun. He doesn’t need any more work, just a test run when Eldest Weasel comes over for brunch on Sunday.

For once, I’m glad I don’t have a costume to wear. Life is busy enough!

A perfectly useless hobby.

What are you supposed to do as a hobby when your real job is something other people do as a hobby?

When I was a kid, one of the things I wanted to do was work in the movies. Specifically, I wanted to work in Special Effects. Back in those days, that meant modelmaking, creating real props, and, occasionally, blowing stuff up.

When I was eighteen, I actually had the chance to visit a real effects workshop, and saw some of the machinery they had. They even owned their own fire engine to produce rainstorms when the weather wasn’t co-operating with filming schedules. More sobering was the owner’s right hand, missing two fingers after an effect went disastrously wrong.

But I didn’t get into the movie biz, and modelmaking does not suit my short attention span. Every model I make ends up looking like it was hit by anti-aircraft fire, even when they’re sailing ships.

Costume on stand

But the Cosplay bug bit a few years ago, once we had settled down into a house where I had a workshop to call my own. I made my Mandalorian helmet, using trial and error and error and error. Once I’d stopped working on that (not once I’d got it right…I’m fairly realistic about my efforts here) I decided to tackle the Scout Trooper Helmet.

I don’t know why I coveted this particular helmet. It’s probably because “Return of the Jedi” was the first Star Wars film I saw at the cinema, and the Speeder Bike chase scene was burned onto my brain ever since.

Remembering the frequent disappointments with the Mando helmet, I swore that this time I would take things slow. Not rush stages and spoil things.

I found an old ski helmet at a sports sale and decided to use it as the base for the helmet. Then I decided the two other main materials were going to be the foam flooring tiles available in stores everywhere ($11.99 for four) and lots and lots of filler. Filler can be bought in big tubs, it’s almost stiff enough to mould and hold a shape, and you can sand it smooth. If you have patience.

I cut a disc out of a flat piece of floor tile and settled it on the helmet, then replaced the disc to make the raised section on top. The side pieces are held in place by a foam insert (white). Filler round the top attempts to smooth things over.

I cut a disc out of a flat piece of floor tile and settled it on the helmet, then replaced the disc to make the raised section on top. The side pieces are held in place by a foam insert (white). Filler round the top attempts to smooth things over.

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I used some pipe insulation to make the raised section that goes from ear to ear around the back. This is the first place where careful measurement and symmetry comparisons would have been good.

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The “jigsaw” lines are the result of using the straight edge of the floor tile, then filling the gaps in the jigsaw edge with glue. Amateur mistake. The glue resists sanding, either sticking to the sander, or melting and flinging glue everywhere.

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As usual with projects like this, I can’t help spraying on some paint in the hopes it will start to look really good. It never does.

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Heavy application of filler begins to cover over the glue jigsaw disaster. I start to use the filler to flare out the “ear” portions. Again, I did this without carefully checking the various reference photos I have of the real helmet.

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I removed the foam inserts and immediately saw that I hadn’t got the front cut straight, or attached evenly. I SHOULD have taken it apart then and there. Instead I decided to try and press on and fix it as I went.

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I was quite proud of this front piece. After so long staring at the cowling, it was nice to see the face of the trooper helmet emerge. I cut the visor hole freehand, and did not use any measure referents. It is not even. I did have scalpel blades to cut the foam tile, but no scalpel to hold them in. This is not an optimal situation.

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Adding more filler helped the shape of the face plate, and emptied the filler tub. Please don’t imagine this is taking place in one or two extended sessions. Each advance takes place over five or ten minutes grabbed here and there amongst other adventures. On the plus side, this means the filler dries before I attempt to ruin the next bit.

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The faceplate is way too long, so I need to cut it down. Plus it doesn’t go all the way around to the back, so I have a piece to put in. I added the purple piece because it’s raised detail on the actual helmet, and I felt putting in a piece of thin foam would be easier than sculpting it in filler.

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This shows the gap at the back that needed sorting out.

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With the faceplate cut down, the helmet sits at a more pleasing angle.

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More filler and some determined sanding starts to get the right surface finish. I also cut and reshaped the corners of the cowl. It’s too high, but it’s the right shape.

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The reshaping has left one side looking oddly angled. Naturally, I tried adding paint to see if it helped. You can see how well that worked.

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Shaping the snout was moderately successful, and actually, adding more paint makes the whole thing look more of a piece. The contour lines running out from the snout are wrong though, and in remodelling I’ll get them wrong in a different way.

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When I found the visor material (an old school binder cover) I couldn’t resist sticking it in temporarily and trying it on. It’s hard to see through, steams up, and is impossible to take selfies in, because you can’t see what you’re doing.

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More sanding has improved the surface, but left the thing looking like it barely survived a fire.

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This shot shows how badly asymmetrical the faceplate is. A devoted cosplayer would either start afresh, or tear the helmet down a few stages. I tried adding more paint.

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Oh yes, that’s much…er…shinier.

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In the real helmet, that cut down the side is where the faceplate lifts up so you can put it on. That doesn’t happen with this one, but it still has to be there.

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Shots like this make it look pretty good. Mostly because they don’t include the reference photographs showing where I was going wrong.

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The surface of the snout wasn’t smooth enough, so I decided to add another piece of the thin craft foam. This picture is just checking the fit – I sprayed it black before gluing it in.

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Real dedication would have been continuing to sand and paint and sand and paint. But I lost all patience and glued the visor in instead. Now I couldn’t spray anymore, unless I went to the trouble of covering the visor. And you know how likely that is.

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Couldn’t resist trying it on. Vaguely reminded of Snoopy.

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With all work on surfacing pretty much abandoned, it was time to add on the little details. Measuring for pinpoint accuracy and comparisons with photo referents were just two things I didn’t do….

I added the "Enhanced comlink" piece to the bottom of the snout.

I added the “Enhanced comlink” piece to the bottom of the snout.

Now I needed the extra pieces to complete the snout. Here, measuring would be vital to get them looking exactly right.

Now I needed the extra pieces to complete the snout. Here, measuring would be vital to get them looking exactly right.

But unfortunately, I didn't do any.

But unfortunately, I didn’t do any.

WP_003656This whole project took around six months. Along the way, Mrs Dim reminded me that I’m not very good at this sort of thing, and I had a serious think about WHY I still do it. I can see the flaws in what I’ve made, even while I’m making it, but making it is something I enjoy doing. I don’t mind that I never get whole days to work on it. Probably wouldn’t enjoy it if I did. I know this is nothing like the 501st produce, but that’s ok too, because I don’t think I’m really doing this for the Cosplay aspect. It’s just something I do for me, something that isn’t writing, or cleaning, or cooking, or parenting. It may be less practical than knitting, less aesthetically pleasing than painting, but it’s my hobby.

Any suggestions for my next project? I quite fancy taking on a Clone Trooper helmet…..

Dear Disney: An open letter about the Boba Fett movie

DSCN7100Dear Disney (or at least, the parts of Disney under the Lucasfilm banner),

I read on the internet this week that there is some trouble over the proposed Boba Fett movie. Problems with a satisfactory script, say the rumours. Well, it’s the internet isn’t it? Who can believe what they read there?

But in this case, I think I can see there would be an issue.

My friend on G+, Eoghann Irving, says the problem is that Boba Fett is an over-rated character – two dimensional and actually uninteresting. It’s certainly true that he doesn’t get to do very much in the films that actually feature him : “The Empire Strikes Back” and “Return of the Jedi”. In the first he is merely persistent, tracking Han and Leia to Cloud City and taking possession of Han’s frozen body for delivery. No action at all. He does get to fight and fly in “Return of the Jedi”, but he’s not very impressive there, using a cord-projector to try and trap Luke Skywalker, who has no trouble cutting the cord with his lightsabre, then getting knocked off the skiff and into the Sarlacc pit by Han Solo even though Han’s still blind.

Despite this lack of brilliance, Boba is beloved of fans, and even before the prequels gave us Jango Fett showing a more combat-savvy Mandalorian fighting style, there were legions of Boba wannabes building their own dented helmets and jet packs.

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I suspect the problem you’re having with the movie is that you want Boba to be the hero. You want him wisecracking, and fighting for good. And you want him winning some fair maiden’s hand. And taking his damn helmet off, too.*

The fundamental dichotomy here is that you have a niche character, and you want to make him appeal to a huge demographic so they will all pay lots of money to see his movie. But that’s not going to work. Boba achieved iconic status DESPITE his lack of action, and the fact he only speaks a handful of lines in the trilogy. (I would bet that kid-Boba has more lines in “Attack of the Clones” than his elder counterpart has in the two movies that feature him…) To make a good Boba Fett movie, you have to have him BE Boba Fett, not Indiana Jones in a dented helmet and jetpack.

My appeal to you, Disney (and I know it’s no more likely to succeed than my letters to Microsoft or the UK Revenue) is to let Boba do what Boba does best. Send him off on a hunt for a bounty. Stop thinking he’s a hero, and start thinking ANTI-hero. Hell, why not model him on Clint Eastwood’s Spaghetti Western character, the Man with No Name? I can see Boba playing two sides off one another in a war so that the way is clear for him to collect a whole bunch of bounties.

The point is, you’re not going to end up with a movie that you can use to sell plastic toys to seven year olds. I mean, sure, you can make the toys and sell ’em, but the movie should not cater to kids that age. It should cater to kids like me, who are forty odd years old, and have loved Star Wars since our first visit to that galaxy far, far away. Boba’s a bounty hunter, just a working stiff trying to make his way in the galaxy. We don’t want to know more about his motivations and his back story – we want to see him in action, shake off that “Vader’s lapdog” image and be the badass we all hope he really is.

If you want a better idea of Mandalorian culture, go read Karen Traviss’ books. She took those brief hints from the movies and created a warrior race to be proud of, complete with language and traditions. You could do a lot worse than use her ideas in your movie. A lot worse.

Boba Fett: A Practical Man: Star Wars (Short Story)

Please, whatever you decide to do, don’t go with “worse”.

 

May the Force be With You.

 

 

*It’s like this : I’m a Judge Dredd fan, and I saw what Stallone did to that character. Karl Urban did a stand-up job, but seriously, Sly, what the hell? Did you even READ the source material?

And yes, I am writing a screenplay for a Boba Fett movie. Why, do you know someone who might be interested?